Things “Mother And Child Reunion” was inspired by, according to Wikipedia:
- Paul Simon’s dog dying
- A chicken and egg dish Paul Simon saw on the menu at a Chinese restaurant
Things with which “Mother And Child Reunion” would appear to have no relationship whatsoever:
Compelling reasons not to post this funky 8-bit cover of “Mother And Child Reunion” I just found:
If you’re a mom, happy Mother’s Day! If you’re not, call your mom, tell her you love her, and then walk outside and high five the first lady with a baby you see!
Robot and the Wizard — “Mother And Child Reunion” (Paul Simon cover) [Soundcloud]
Pawn Stars is my writing kryptonite. The History Channel always seems to be showing it at just the right/wrong time, in hours-long blocks of unbridled predatory capitalism, and I can’t look away. It’s the perfect marriage of financial and emotional voyeurism. You get to cast judgement on how people do business — at least, how well they can haggle in a high-pressure situation — AND how they manage their lives in general, because selling something at a pawn shop is, under most circumstances, an act of desperation. The underlying message is chilling: everything has its price, as long as a buyer and seller can agree on one.
A similar battle goes on inside my head each time I step into a record store.
So guess where I was this weekend? If you said, “On your couch, watching hours of European soccer, NASCAR and playoff basketball, without exhibiting the slightest inkling of productivity,” you’d be DEAD WRONG, alright?
That was the weekend before.
I’m proud to say that this weekend, I was up in the fine state of New Jersey, providing the music for my cousin Leigh’s wedding ceremony with the dinged-up, pink-tape-sporting guitar amp pictured above. This was my second gig playing guitar at a wedding (the first was at my sister’s in Chicago a few years ago, in which instance you could technically say I opened for David Vandervelde), and I’m so happy Leigh and her newly-minted husband Dan asked me to be a part of their special day. One of the best parts was corresponding with Leigh beforehand about which songs I’d play and when in the ceremony I’d play them. Helping my cousin choose the soundtrack to one of life’s most meaningful events was an incredible honor.
The funny thing is, though Leigh and I exchanged messages about the playlist, brides actually miss out on like half of the tunes. Seems unfair, right? Some random second cousin’s +1 gets to hear everything, but the bride, fulfilling her role as the fashionably late piece in the processional puzzle, only gets to hear the second-to-last and last songs? An outrage! I thought I’d remedy this by recreating the experience for Leigh via some favorite cover versions of all 4 songs played, along with a link to a runner-up for each (sorry, YouTube has way too much cool stuff to choose just one), starting with the music that helped the guests get settled in their seats.
If you’ve been reading this here blog for a while, you may have seen me mention my friend, the musical sherpa, Clay. Well last August, Clay gave me one of the best birthday presents I’ve gotten in my entire life: a generous starter collection of 45′s, cradled by a 7-inch Peaches record crate. This is a short video of my reaction upon being given this gift. There was tons of great stuff in there — everything from Queen to Radiohead and back again — and in the nine months since, I’ve had lots of fun exploring and expanding this collection (probably too much fun on the expansion front, but WHATEVER). So for Clay’s birthday, I’ve done the only reasonable thing — I’ve assembled a tactical playlist from my seed set of 7-inch records entitled “H-A-P-P-Y B-I-R-T-H-D-A-Y” (you’ll see why), accompanied by a quick, solo game of Adjective Battleship for each one. Let’s do dis!
Are you ready to play a kickass game of connect the dots? Since today’s edition largely takes place in the south, we’ll call it, affectionately of course, co-redneck-t the dots. I really think you’re going to like what we find, so let’s get started with the fine gents of Raleigh, North Carolina-based American Aquarium, who, on Friday at the Jefferson Theater in Charlottesville, Virginia, country-rocked their way through an amazing set opening for Jason Isbell, who hails from northern Alabama, just like former Drive-By Truckers bandmate Patterson Hood, whose father, David Hood, was the bass player for the Muscle Shoals Rhythm Section (also known as “the Swampers” — ya know, “They’ve been known to pick a song or two”), the legendary band that recorded with some of music’s most recognizable names, like Aretha Franklin, the Rolling Stones, Paul Simon, John Prine and many, many more, all of whom, in order to record with the Swampers, had to to make pilgrimages to one of two studios in Muscle Shoals, Alabama, which is where American Aquarium just finished recording their new album, which was produced and recorded with the help of Jason Isbell, with additional contributions from the lovely Amanda Shires, Isbell’s girlfriend, who appeared on stage with both Isbell and American Aquarium last Friday night at the Jefferson Theater. Whew. Crazy, eh? And that run-on sentence doesn’t begin to cover how entertaining American Aquarium’s set was (a real-life love-at-first-listen experience) or the remarkable impact that Muscle Shoals has had on popular music. A few weeks back, I wrote about the idea of musical centers of energy, and Muscle Shoals most assuredly qualifies. Though the town’s population is just 13,000 or so, the area still has a tremendous amount of musical history. So many canonical musicians have been drawn to Muscle Shoals, and it’s wild to think about how the Swampers insisted on recording on their own turf. And Grammy wins for albums like the Black Keys’ Brothers go to show that the town maintains that gravitational pull to this day. Judging by the songs I heard at the Jefferson Theater, American Aquarium’s upcoming album is sure to be a hit as well, so to whet your appetite, I’m posting “Reidsville,” a song from their 2010 album Small Town Hymns that tells the story of a southern town with a very different legacy than that of Muscle Shoals. Listen below and snag the album on iTunes here.
American Aquarium — “Reidsville“
Do you use Read It Later? No? You should! It’s a great way to keep track of all the content you don’t have time to check out right away. Apparently I haven’t had much time at all, because my Read It Later list has gotten crazy long. As such (and such as), I figured this would be a good opportunity to play another round of Read It Later Roulette. Let’s spin the nonexistent wheel!